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An important vase "Dorico Corniola"

Weitere Abbildungen:

101 - An important vase "Dorico Corniola"

An important vase "Dorico Corniola" Ercole Barovier for Barovier & Toso, Murano, 1960 Colourless glass with inclusions in carnelian, white, violet and colourless. Bottom cut and polished. 40 cm high Röhrenhals. Boden mit unregelmäßiger Bodenkugel geschliffen und poliert. H. 40 cm Provenance: A German private collection Glasmanufakturen auf Murano. Die Anfänge reichen zurück bis ins 14. Jahrhundert. Um 1450 Ercole Barovier (1889-1974) was a entrepreneur and designer. At age 30 he became a partner in his father's company, the Vetreria Artistica Barovier & C. After becoming its artistic director in 1926, he took over its management with his brother Nicol. He became sole proprietor in 1936, engineering the fusion between his own glass workshop and the S.A.I.A.R. Ferro-Toso. In 1942, the new company was renamed Barovier & Toso. Ercole maintained artistic direction of the new company until 1972. Over the course of his 50-year activity, he invented numerous decorative techniques which contributed significantly to the renovation of art glass. Already in the Twenties he obtained great success; first with the murrine vessels, then with totally original creations such as the primavera glass collection (1929-30). From the beginning of the Thirties, he dedicated himself entirely to experimenting with new multi-colored effects, in particular he perfected the colorazione a caldo senza fusione technique which he first used in 1935-36 to create the series Crepuscolo, Autunno Gemmato, Marina Gemmata and Laguna Gemmata. Before World War II he preferred soft shapes and rather thick materials, whereas in the post-war period his interest turned specifically to the field of traditional techniques, which he continued to re-interpret through his very last creations with the series a tessere in 1972. In the Fifties, his work distinguished itself both for the vivid quality of its colors as well as for the singularity of the materials which were noted for the roughness of their surfaces like the Barbarici which sometimes were modeled in primitive forms like the Eugenei and Aborigeni. During the Sixties and Seventies, he gave new interpretations of his a tessere glass with the Dorici, Caccia, Rotellati and other series which were characterized by unusual color combinations. (www.barovier.it) technique which he first used in 1935-36 to create the series Crepuscolo, Autunno Gemmato, Literatur: Ercole Barovier 1889 -1974, S. 108 (Dekor) & S. 99 (formidentische Dekorvariante). field of traditional techniques, which he continued to re-interpret through his very last Marina Barovier, Il Vetro di Murano alle Biennali 189 - 1972, S. 91 both for the vivid quality of its colors as well as for the singularity of the materials M. Heiremans, Glas-Kunst aus Murano, Stuttgart, 1993, Abb. 52 (form- und dekoridentisch). were modeled in primitive forms like the Eugenei and Aborigeni. During the Sixties and Zur Firmenbiographie vgl.: H. Ricke & E. Schmitt, Italienisches Glas, S. 301 ff. und M. Heiremans, Glas-Kunst aus Murano, S. 35.

Ercole Barovier (Entwurf), Barovier & Toso, Murano, 1960

Catalogueprice: 12.000 - 17.000 €

Result: 14.500,00 EUR

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