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Contact Print

Tafelbild mit der Geißelung Christi

Weitere Abbildungen:

34 - Tafelbild mit der Geißelung Christi

Oil on oak panel. The nimbus gilded. Minimal restored. Framed. rest. Gerahmt. 79 x 61 cm Provenienz: Nordrhein-westfälische Privatsammlung 79 x 61 cm an eine Säule gebundenen Christus, der lediglich mit einem weißen Lendenschurz bekleitet Provenance: A Private Collection, North Rhine-Westphalia Kunst und literarischen Werken des Spätmittelalters ist diese Passionsfrömmigkeit The panel depicts the Flagellation. Christ is the central figure in the painting. The haloed and bearded Christ, naked except for a loincloth is represented bound to a column in the centre. To the right and to the left there are four torturers. They are prodding Christ. His serenity and restraint contrast with the undignified agitation of his tormentors, expressed in their grimaces and jerky movements. The Passion of Christ was a popular theme for 15th-century altarpieces in northern Europe. It is the story of Christ's suffering-from his arrest to his Crucifixion-although it was often expanded to include earlier and later events, such as the Entombment. The figures and settings are treated in a life-like fashion to make the events seem real and the message persuasive. The use of angularity and exaggeration to generate an emotional response in the viewer is characteristic of German art of this period. This wing is inspired by the the Master of the Karlsruhe Passion, who was active in Strasbourg. He was a master of the style that has been called "Passionrealism". The seven known panels date from about 1450 and undoubtedly can be ranked among the most striking paintings of the period. The artist who painted this wing adopted a no less radical approach. The manner of depiction is also very similar to the Lyversbergisch Altar in the Wallraf-Richartz-Museum in Cologne, which was painted between 1464 and 1466. Stylistically this work can be dated to circa 1470 and placed in the geographic context of Cologne. It is sure that the work belonged to a multi-panel set or polyptych belonging the Passion. Although the other panels have not been identified and may have been destroyed, it remains possible that they will one day be discovered. erzeugte Räumlichkeit und die reiche Farbigkeit lassen sich auch in dieser Tafelmalerei Literatur: P. Seegets: Passionstheologie und Passionsfrömmigkeit im ausgehenden Mittelalter, Tübingen 1998, 238-239. M. Braun - C. Herberichs: Gewalt im Mittelalter. Realitäten - Imaginationen, München 2005, 286-287.

Köln, um 1470

Catalogueprice: 8.000 - 12.000 €

Result: 10.000,00 EUR

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